A LOVE Supreme | Beyond Chrysalis
2016 Even lovers need a little distance from each other now and then. And so painting - my long-time love supreme - currently recedes in order to give room to a different, fascinating art project: no2DO (1).
[Isn't art so much more than just painting?
Maybe it is art: my love supreme?]
I believe that the motivation behind most of my activities is quite generally the pursuit of both, world and self knowledge. Painting is a path to this goal. On the long walk from an empty canvas to a finished painting there is a lot of room for thought and gaining clarity (2). And in the end I do not see any other option. I am a spiritual being - but if I hand over control to the autopilot I will move on circular paths and receive the same again and again: a distorted perception of reality, my own projection, overlaying reality (3)..
2015 Philosophy. Another love supreme of mine. (Actually not even that hard to guess, with paintings entwined with abundant thought...)
Now I want to know... and I got myself enrolled for philosophy. There is a strong sense of home (due to content). Sometimes bewilderment (due to top-heavy escapism).
2013 Manchmal arbeite ich auch nicht an no2DO (1). Und gebe meinen Gedanken zu Flucht, Vertreibung und Xenophobie in der Serie Fremd in der Fremde (4) bildnerisch eine Heimat.
2013 Sometimes I do not work at no2DO (1). And give pictorial home to my thoughts on flight, expulsion and xenophobia: in the series Fremd in der Fremde [Stranger in a Foreign Land] (4).
2011 My research regarding no2DO (1) absorbs me. Besides traditional sources of Chinese wisdom I study literature on TCM and classical acupuncture. no2DO is growing.
2010 Occasionally, but with joy, I elaborate installations on political issues as, for example, in the project Biopiracy - or how public property becomes private property (5). Biopiracy is a process where more and more patents are granted on the common property, such as the commercialization of traditional medicines etc. As the topic is quite complex it receives only little echo in the media.
2009 I finally hand the apple of criticism back; yes, it is true, "The Social History of the modern artist is that of a spiritual being in physical world fixated on material possession." (6) However I do not consider it as my personal challenge to change this. Just after my personal art-market-crisis I throw myself into a huge and profound project: a contemporary interpretation of the I Ching. In addition to a poetic approach through painting (7), (8) there is now an extensive intellectual part: an oracle game with its own interpretation model based the 5-Element-Theory (1).
Beyond Chrysalis: A Responsive Universe
2007 For almost two years I am frozen like a deer in the headlights of the art market and concern myself with questions like Art or Luxury (9), Art and Kitsch (10), Art and Money (11). Of course I also find answers: artistic ones (What is Art? (12)) and feminist ones (A new Lilith: about letting go (13)).
And I meet a man, right after Polyamournesia (14).
As an answer to my personal Kōan "Tu mi tu..." (15)...
A tender agitator... (16)